![]() ![]() ![]() In the past, I used to come to the band members with fully fleshed ideas I mocked up at home but this time I’m aiming for a more collaborative approach in building the songs. How has 2018 been treating you all so far? What is one musical goal that you have for this year?Ĭurrently I’m working on new material and in two months we’ll start rehearsing and building the arrangements. FOLLOW LATE SEA Facebook – Instagram – Website – Soundcloud – Spotify Learn more about Late Sea in the following All Access interview: Thanks for your time! Where does this interview find you today? What is one song that you are loving right now? What is a song that you all disagree about loving right now? I’m listening to lots of Beethoven lately, and I love The National’s new album Sleep Well Beast. The story is impossibly bizarre, even by Kafka’s standards.” Late Sea’s The Writers Trilogy EP is available now to stream and purchase on iTunes, Spotify and all major digital retailers. Gracchus the hunter is both a mythical figure and a petty one. Gliksberg explains, “Kafka manages to make an improbable connection between the mystery of ‘being’ to the strangeness of modern day bureaucracy. Gliksberg’s music spoke to my soul and to the deepest part of my body, and transported my mind to another world. Although the film was shot on a extremely cold day, my body was boiling from inside! I very much enjoyed and appreciated the opportunity to be taken to such a deep internal journey by the mysteries and poesies of “Hunter.” Inspired by Franz Kafka’s story The Hunter Gracchusthe messages behind “Hunter” aren’t particularly easy to decipher, which just follows in true Kafka fashion, leaving interpretation open to the viewer. Nishimura shared her thoughts on the experience, “Dancing to Late Sea’s “Hunter” on a desolate beach was a profound and unforgettable experience, which resonated in my body for a long time. The tone of the composition, paired with Nishimura’s movement, works to great effect and makes for a video that is both visually engaging and thought provoking. Reverb-drenched trumpet stabs, played by Sam Nester, echo over off-kilter rhythms and arpeggiated synth lines that float alongside the cry of a ghostly theremin. ![]() Trapped inside, her character writhes and contorts in accordance with the pulse of the dark soundscape painted by Gliksberg and his bandmates in Late Sea. Set on a desolate beach, beneath a clouded sky, Nishimura dances within the confines of a glass cube that seeks to restrict and imprison her. In “Hunter”, Nishimura appears with striking silver hair, white make-up, and a flowing dress – an otherworldly mystique that she masterfully portrays. Well-known in the NYC arts community, Nishimura has collaborated with artists including Celia Rowlson-Hall, Vicky Shick, and Ursula Eagly, as well as gaining popularity for her evocative performance on Saturday Night Live with Sia in 2015. The video for “Hunter” is centered around the mesmerizing movement of Butoh dancer Mina Nishimura who choreographed her routine specifically for the song. Recently “Hunter” was released as the third and final video off the band’s recently released EP The Writer’s Trilogy. As they did with their previous two singles “Ring The Bells” and “The Great White” Late Sea have created a stunning visual to accompany the song. It’s a tricky thing to balance, but the band pulls off this juggling act effortlessly, with “Hunter” a prime example of their ability to create music that is simultaneously experimental and accessible. Lead vocalist Izzy Gliksberg lays his distinct speak-sing vocals over lush, atmospheric soundscapes that both captivate and confound the listener. It has become my favorite plug-in as soon as I reach what I want.New York’s Late Sea have been hard at work carefully crafting their dark brand of electronic sorcery. Their new video “ Hunter” comes as the latest fantastical and spell-binding addition. Glass Viper allows sounds trs contrast unlike many software or dipped in sauce and the same has the same taste. There is nothing more frustrating than a window or inert nothing displays work. In addition to eye quickly becomes addictive as the instrument comes alive. provides the visual standards of simplicity and support the collaboration of sound. I bought this software in November 2007 and have updated as and by the Update About QuickQuack.La particularity of this synthesis is to be very intuitive and once you readily accepted the logic of 4 votes additinnes indpendament that works, we understand that the sounds are rich and complex accessible. I am running on PowerMac G5 dual and Utis Glass Viper plugin on GarageBand. Once opened there is a help or at least a reminder of each function available in the same window of the software. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |